by *Jeff Karoub, Associated Press | WashingtonExaminer.com | October 12, 2011
Comic book fans might call it a great origin story: In the aftermath of 9/11, a Muslim man creates a comic book series, "The 99," inspired by the principles of his faith. It builds a global audience and investors contribute millions for it to continue and expand.
In two vastly different cultures, Naif Al-Mutawa's (Pictured) tale hits a few roadblocks — "villains" if you will: Censorship from Saudi Arabia, home to the main Muslim holy sites; in the United States, a struggle to build an audience where free expression has been hampered by a post-9/11 rise in suspicion and scrutiny of all things Islamic.
For Al-Mutawa, it's evidence that tales like his are needed to counter hardline, intolerant ideologies of all stripes.
"That's one of the things that was most disappointing to me in the beginning," Al-Mutawa said on a recent visit to Detroit. "You have two birthplaces: You have the birthplace of Islam, which initially rejected it (and) the birthplace of democracy and tolerance, this country, that I'm now facing resistance in — the two natural places for this product."
Al-Mutawa's reputation in the Middle East and elsewhere has grown since the 2006 debut of "The 99," as well as its rollout into animation. The series is named for the 99 qualities the Quran attributes to God: strength, courage, wisdom and mercy among them.
The comic book spawned a TV series and 26 half-hour episodes of the 3-D animated version of the "The 99" have been sold to broadcasters. They are expected to be released early next year in more than 50 countries, and a second season is in production.
Al-Mutawa, a U.S.-educated psychologist from Kuwait, has been promoting "Wham! Bam! Islam!" a PBS documentary that tells the story of "The 99" from an idea hatched during a cab ride to its raising of $40 million in three calls for investors. The promotional push is supporting the animated series, the vehicle by which his company hopes to turn a profit.
"The 99" grew out of his childhood love of Batman, Superman and their superhero brethren, along with a desire to provide role models for his five young sons.
"Basically, 'The 99' is based on Quranic archetypes, the same way that Batman and Superman are based on Judeo-Christian and Biblical archetypes. And just like Batman and Superman are secular story lines, so too are 'The 99,'" he said.
"It seemed to me that the only people using mass media when it came to things to do with religion — at least my religion — were people who were doing very destructive things. So the question was how do I challenge that in a way that's secular yet cannot be dismissed as Western?"
Critics on both sides of the religious and cultural divide see subversion in Al-Mutawa's superheroes. Some hardline Muslims say the series subverts their faith by embodying the attributes in human characters, while a few non-Muslim American critics have labeled it sneaky Islamic indoctrination.
Al-Mutawa said it took investment by an Islamic investment bank to make his series "halal," or acceptable to Saudi officials. The nation's government-run broadcaster has since bought the rights to the animated series. So has The Hub cable network in the U.S. — though the latter has indefinitely postponed airing it after some critical columns and blog posts.
"One of the comments on the blogs that ended up delaying us was someone who warned that we can't let the Muslims brainwash our children like the Mexicans did with 'Dora the Explorer,'" Al-Mutawa said.
Still, he's measuring broader acceptance in other ways. Al-Mutawa worked with DC Comics last year on a six-issue crossover that teamed "The 99" with The Justice League of America.
"They start out with distrust between the two teams of superheroes — Superman punches one of my guys early on," Al-Mutawa said. "And then they figure out during the arc that it's the bad guys causing the distrust."
Robin Wright, author of "Rock the Casbah: Rage and Rebellion Across the Islamic World," said Al-Mutawa has "been way ahead of the curve in figuring out how you challenge extremism and how you create alternative role models to Osama bin Laden or Hassan Nasrallah (Hezbollah's leader) for kids and adults."
Muslim characters are rare in U.S. comic books but there have been some inroads.
Marvel Comics has Dust, a young Afghan woman whose mutant ability to manipulate sand and dust has been part of the popular X-Men books.
"I don't view a Muslim superhero as avant garde," Marvel editor-in-chief Axel Alonso said. "Muslims comprise approximately 23 percent of the world's population, and we like our comics to reflect the world in its diversity."
Dust wears a robe and veil to observe Muslim hijab, or modest dress. Another character, M, is a woman of Algerian descent who only recently revealed her faith in the pages of "X-Factor." Like millions of other Muslim women in the real world, she "does not observe hijab, and often dresses quite provocatively," Alonso said.
Other characters have not been so accepted. In late 2010, DC Comics introduced Nightrunner, a young Muslim hero of Algerian descent raised in Paris. He's part of the global network of crime fighters set up by Batman alter-ego Bruce Wayne. Conservative bloggers decried the move, noting that instead of tapping a native French person, they opted for a minority.
Frank Miller, whose dark and moody take on Batman in "The Dark Knight Returns" in 1986 energized the character, has taken a different tack in his latest work, "Holy Terror," which tells the story of The Fixer and his efforts to stamp out Islamic terrorists.
The graphic novel initially took root as a look at Batman's efforts to fight terrorism, something that grew out of Miller's experiences of being in New York during 9/11. As he worked on it, it became apparent that it wasn't suitable for the DC character.
"As I developed it and worked on it, the subject was too serious and the character's actions were not Batman," he said.
The book has been criticized as anti-Islamic propaganda, but Miller says that's not his notion.
"I lived through a time when 3,000 of my neighbors were incinerated for no apparent reason. I lived through the chalky, smoky weeks that followed and through the warplanes flying overhead and realized that, much like my character, The Fixer, I found a mission," he said.
As for "The 99," he said has not seen it but welcomes Al-Mutawa's efforts.
"I come in with my own very pro-Western-they-attacked-my-city-point of view," Miller said. "If other people have other points of view to bring in, I just welcome it."
Al-Mutawa called "Holy Terror" par for the historical course for Islam.
"There's no denying that terrible things have happened in the name of my religion — as they have in the names of most religions, if not all religions," he said. "As human beings, we're a little bit lazy. We don't like to change the schemas in our minds. We like to fit new information into existing schemas. That's why to some people anything to do with Islam is going to be bad."
*Matt Moore contributed to this report from Philadelphia.
Source: http://washingtonexaminer.com/entertainment/music/2011/10/muslim-comic-series-aims-break-through-us
The Weekly Schmooze: Howard Stern vs. anti-Semites
by Lahav Harkov | JPost.com | August 25, 2011
A JPost column wrapping up Jewish culture news worldwide: UK's Kosher cooking star; Katy Perry slammed for pro-Israel tweet.
A few weeks ago, the Schmooze pointed out a trend in which Jewish comedians come up with creative Middle East peace initiatives. This week, it seems that the new comedy trend is anti-Semitism. In a New York Times article about Chris Tucker's career revival,Rush Hour director Brett Ratner reveals that Tucker calls him "Jew Boy," adding "he can call me whatever he wants, because we're friends."
Next, a quiz. Who did comedian Andy Dick call a "money-grubbing Jew" with "a big fat hook nose" in a radio interview last week?
A) David Letterman
B) Howard Stern
C) Jon Stewart
The correct answer is B, Howard Stern. Dick accused the shock jock of not paying him for hosting a show on Stern's digital radio channel, Howard 101. Stern, classy as always, said to Dick: "You're not getting paid a dime because your show sucks…Stop looking for handouts and waiting for the Jew to give you a job."
Singer Katy Perry was bombarded with anti-Israel tweets on Tuesday, after she wrote "Shalom" to an Israeli fan and said that she was praying for Israel. One twitter user wrote "aren't they killing Palestinian babies at this moment?" Another tweeted: "I hope your private jet crash lands in Palestine so they stamp on you like the whore you are. See if Israel will help you." Perry later defended her tweet, writing "a kid asked me to pray for him, and I did. I don't support any side of violence in any place for any reason."
It looks like the Funny or Die's hit "Black and Jewish" video was more influential than expected. Two of the artists mentioned in the song – Drake and Lenny Kravitz – have collaborated on a new track, "Sunflower," for Kravitz's upcoming album Black and White in America.
On the other side of the pond, a Jewish mother from Manchester may be on the way to becoming the UK's new favorite TV cook. Bernette Clarke has become very popular ever since she was seen cooking in a televised documentary about the northern England Jewish community called Strictly Kosher. Now, the Jewish Chronicle reports that Clarke has traveled to London for a screen test, to see if she can reveal her recipes on a morning talk show. "I'm lively enough and I've got enough recipes to keep them going every single week for a year," Clarke said. Nigella, watch out!
The American football season is set to begin in two weeks, and JCCs of North America want in on the action. The umbrella organization for Jewish community centers has started an online fantasy football league with weekly prizes, with ESPN fantasy league expert Matthew Berry serving as league commissioner. Registration is at www.discoverjcc.com. Good luck!
A rock 'n' roll legend passed away this Monday. Jerry Leiber, who penned classic songs like "Hound Dog," "Love Potion No. 9," and "Stand By Me" with his writing partnerMike Stoller died at age 78. Leiber and Stoller ushered in a new era of teen-targeted music in the late 1950s, and continued to churn out hits for decades. Here's one of the duo's biggest hits, Elvis's "Jailhouse Rock."
The Weekly Schmooze collects the hottest Jewish culture news from around the world. Ranging from celebrities to philanthropy to quirky communities, we're here to schmooze about Jews. If you have any news to share with The Weekly Schmooze, write to: [email protected]
Source: http://www.jpost.com/JewishWorld/JewishFeatures/Article.aspx?id=235359
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